Tag Archives: digital

BlackBerry Venice

BlackBerry Venice

BlackBerry is making a new phone so as to run on the Android system, presently codenamed ‘Venice’. BlackBerry has had a rough time within the cell world in latest years, but is it about to make a comeback? read on for what we know to this point concerning the BlackBerry Venice rate, unencumber date, specs, aspects and more.

BlackBerry Venice design

Android Authority just lately bought some hands-on pictures (beneath) of the BlackBerry Venice, which give us a greater look at the interface. It seems to be much like inventory Android, however Android Authority says there are some further BlackBerry thrives, equivalent to keyboard shortcuts for what it calls ‘fast tasks’

We do not know how these will show up themselves, but it would make experience to us if the keyboard had been to function beyond simple persona enter. Android Authority additionally speculates that the rear digicam sensor will are available in at 18 MP (which ties in with earlier rumors), hanging the Venice alongside the top tier of Android flagships in phrases of digital camera specs.

The previous batch of leaked BlackBerry Venice pix from NowhereElse.fr gave us a few more small print in regards to the BlackBerry Venice design. within the below right photo, you will realize a SIM card slot and a microSD slot at the high of the handset, which can enchantment to these disenchanted with the shortage of expandable storage on latest Samsung instruments (such because the Galaxy notice 5).

In the beneath left image, that you can naturally see that the display is curved, and that the rear of the device has a woven, nearly Kevlar outcomes. in addition, the digital camera sensor is accompanied by way of a twin-LED flash.

BlackBerry Venice specs

together with the picture below, cell enviornment claims to have some information on the BlackBerry Venice specs. it will reportedly arrive with a QHD show, three GB of RAM, 18 MP major digital camera and at least a 3,000 mAh battery. phone arena’s supply additionally advised it that, in true BlackBerry tradition, the Venice’s safety would be “2nd to none”.

Different rumors for the BlackBerry Venice propose it’s going to have a 5 MP entrance-dealing with digital camera and a 1.8 GHz Hexa-core Snapdragon 808 processor. The show dimension is claimed to be 5.four inches.

BlackBerry Venice unencumber date

In August, Twitter leaker @evleaks tweeted that the BlackBerry Venice has been “established for November liberate on all 4 most important US carriers”. a couple of days later, renders of the suspected gadget emerged within the form of some neat GIFs. verify them out:

For me, this could be the comeback, revival, underdog, nostalgia story of the yr. Who, in one million years, would ever believe that BlackBerry could have a shot at coming into our first-rate Android phones list? possibly there isn’t a risk, however maybe, just may, it is viable.

Dying Husband Left Her the House and Car, but Forgot the Apple Password

Dying Husband Left Her the House and Car, but Forgot the Apple Password

After Peggy Bush’s husband, David, succumbed to lung cancer last August, she liked to play card games on their iPad to pass the time. The 72-year-old resident of Victoria, Canada, was on an app one day when it suddenly stopped working, and she was unable to reload the device without providing a password for their Apple ID account.

Bush’s husband never told her the password, and she hadn’t thought to ask. Unlike so many of the things David had left for Bush in his will – car ownership, the title of the house, basically everything he owned – this digital asset followed him to the grave.

According to reporting by the Canadian Broadcasting Channel, the journey to procure the password proved more difficult than any other process involved in David’s passing.

“I thought it was ridiculous,” Bush told CBC. “I could get the pensions, I could get benefits, I could get all kinds of things from the federal government and the other government. But from Apple, I couldn’t even get a silly password.”

At first, they thought the solution would be simple. Bush’s daughter, Donna, called Apple to ask about having the password retrieved and the account reset. The company then requested David’s will and death certificate.

When they got these documents together and called a second time, Apple said they had never heard of the case. Donna told CBC that it took several phone calls and two months of waiting for Apple to accept a notarized death certificate, her father’s will and the serial numbers for the iPad and Mac computer to which Bush also wanted access.

But this was not enough. Over the phone, a representative told Donna the next step: “You need a court order.”

“I was just completely flummoxed,” Donna told CBC. “What do you mean a court order?”

Obtaining one could cost thousands of dollars, depending on the need for a lawyer, so Donna decided to take her complaint straight to the top.

“I then wrote a letter to Tim Cook, the head of Apple, saying this is ridiculous,” she said. “All I want to do is download a card game for my mother on the iPad. I don’t want to have to go to court to do that, and I finally got a call from customer relations who confirmed, yes, that is their policy.”

While Bush had the option of setting up a new Apple ID account, that would have meant losing all the app purchases that she and her husband had made on the original one.

Bush ended up buying a new laptop (not a Mac). Her mission to gain access to her husband’s Apple ID seemed futile until CBC’s “Go Public” wing contacted the company on Bush’s behalf.

Apple apologized for the “misunderstanding” and has since started working with Bush to solve the issue without a court order, CBC reported this week.

For the Bushes, the overdue response feels like putting a Band-Aid on a larger problem.

“We certainly don’t want other people to have to go through the hassle that we’ve gone through,” Donna told CBC. “We’d really like Apple to develop a policy that is far more understanding of what people go through, especially at this very difficult time in our family’s life, having just lost my dad.”

Toronto estate lawyer Daniel Nelson told CBC that online access is controlled by service providers such as Apple, even if users own their digital material. He described the court order demand as “heavy-handed,” but also said Canadian digital property laws are “murky.”

While the incident occurred in Canada, Americans have encountered similar snafus involving the digital assets of deceased relatives on this side of the border.

In 2011, after 15-year-old Eric Rash of Virginia committed suicide, his parents desperately wanted to know why. But when they tried looking to his Facebook page for answers, the website cited state and federal privacy laws blocking their access.

“We were just grieving parents reaching out for anything we could,” Rash’s father, Ricky, told The Washington Post in 2013.

The question of whether digital assets should be treated the same as material possessions where inheritance is concerned has emerged naturally with the growing ubiquity of social media usage, but few concrete answers have been offered by lawmakers and legal authorities. Most states place digital and physical property in different categories, and tech companies themselves prohibit password-sharing. This means that often a person’s virtual trail continues to float in cyberspace following their death, adding to the grief felt by surviving family.

That, however, is slowly changing.

Thanks to a bill passed two years ago, Virginia is now among a handful of other states that have enacted legislation addressing the inheritance of email, blogs and other social media. More recently, Delaware passed a law in 2014 that gives family members and other heirs complete control over an individual’s digital accounts after their passing. And nearly a year ago, Facebook rolled out new settings that allow users to manage how their account will appear to the public and whether they want to pass it onto someone else in the event of their deaths.

“It’s big. It’s real big,” attorney Deborah Matthews told The Post in August 2014, after the Delaware legislation was announced. “I ask my clients the same thing I ask them about their safe deposit boxes: Who has access? Who has a key?”

© 2016 The Washington Post

Original Article

‘Dark Net’ Explores the Digital Age’s Toll on Us

'Dark Net' Explores the Digital Age's Toll on Us

The scariness of the digital age has been the peg for a number of newsmagazine segments and docu-series, many of them not going, conceptually, much beyond “Can you believe what some people are using the Internet for these days?” “Dark Net,” an eight-part series that begins Thursday night on Showtime, goes further, using examples of unsettling digital phenomena to ponder larger questions, like whether and how the digital age might be changing us as a species.

The premiere is, of course, about sex, but even this clickbait-ish episode has ambitions. Its segments feature a dominant-submissive couple who conduct their relationship via the Internet and tracking technology; a female victim of an ex-boyfriend, who posted intimate photos of her; and a Japanese man who is in love with an animated character named Rinko. There is a voyeuristic element to this, as there always is when documentarians take up online sex, but there is also a tentative exploration of the possibility that standard ideas about love are headed for a radical expansion.

“Human beings are such selfish creatures,” says Akari Uchida, who helped develop LovePlus, the dating simulator where Rinko lives. “When we are by ourselves, we become very lonely, but we find it annoying when we’re with someone else. We need to add a ‘0.5’ – an extension of ourselves. An extension of ourselves that is not another individual, but an object, a device.”

By the second installment, “Dark Net” really starts to show its determination to be more than you expect. The episode involves biotechnology, and one segment introduces a man in Nashville who has taken the Fitbit fad to the extreme. He uses dozens of types of technology, wearable and otherwise, to monitor practically everything about his body and his life.

And at first, this seems to be a feel-good story: The man was overweight, and examining his personal data helped him to change his behaviors and drop more than 100 pounds. But later we see him on an awkward first date that suggests that his data obsession has affected his ability to interact with actual humans. (His icebreaker is to measure his companion’s heart rate.)

“For me, relationships are difficult,” he admits. “I see people as just a pile of information.” He compares data to heroin: Having it only makes you want more. The same technology that made him physically fit is dehumanizing him.

The third episode, which investigates particularly disturbing territory, also comes with a twist. Technology, especially the dark net, enables child pornographers, but technology also is being used to catch pedophiles and perhaps even treat them. Would using avatars of children to satisfy pedophilic desires be a legitimate or ethical remedy? If that question troubles you, don’t watch “Dark Net.”

In general, the program successfully walks a fine line between glorifying technology and treating it as a curiosity. No one knows where all this is headed, but “Dark Net” is at least peering into the possible futures with more sophistication than most.

© 2016 New York Times News Service

More info: ptlojasnet

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Original Article

Lytro Camera Review

Review: Lytro Camera

When cameras went from analog to digital, it was one of those once-in-a-generation shifts, like going from black-and-white film to Kodachrome. But whether you’re using a 35-millimeter or a point-and-shoot, the steps you take to shoot a picture have remained the same: you focus on something, then push a button to record the image.
But what if you could take a picture and refocus it after you had taken it? What if, just by clicking around a photo on your computer screen, you could choose which part of the image should be clear and which part should be blurry?

You can with a new camera called Lytro, and it’s astonishing. With a Lytro, you take a picture as you would with any camera, but the digital file it creates can be refocused after the fact.
Inside the Lytro: An example of how the Lytro works can be found here.Inside the Lytro: An example of how the Lytro works can be found here.
This is fairly mind-blowing. Imagine a wedding photo with the bride in the foreground and the wedding party in the background. Click on the bride, and she’s in focus while the bridesmaids are blurry. Click on the groomsmen and the focus shifts to them. Do this over and over all around the frame – the picture readjusts on the fly, smoothly moving from one focal point to another.

The effect makes photography leads almost like cinematography, revealing things vividly in the foreground and background. Refocusing a Lytro image, I felt like one of those C.I.A. agents in the movies who is looking at satellite images and asks some technician to ‘enhance’ the picture until Carlos the Jackal comes into focus.
The Lytro, which began shipping from lytro.com on Wednesday, can do this because its image sensor captures more data than your standard camera does. Not only does Lytro’s sensor register the usual things – like how bright the incoming light was and what colors it contained – it also knows which direction the light came from. Armed with that information – known among scientists as light-field data – the Lytro’s onboard software can create multiple focal points. A view of the Lytro’s inner workings shows how this array of tiny lenses and microprocessors makes this happen.

This all happens in a camera the size and shape of a stick of butter. It’s an unconventional design, with a lens at one end and a small, iPod-Nano-size touch screen at the other. On the top of the camera is a recessed button for the shutter release and a strip of bumps you slide your finger across to control the 8X optical zoom. On the bottom is a USB port and the power button. It’s a simple and elegant package, but the shape and feel take a little getting used to; you kind of feel like an ship captain of yore with a spotting scope.
The Lytro weighs 7.6 ounces, a bit more than some point-and-shoots, but not so much that you would notice. There’s no removable storage or battery: the camera comes with either eight gigabytes of memory (350 pictures, costing $399) or 16 gigabytes (750 pictures, costing $499). Since the Lytro captures light rays, not pixels, its sensor is rated at ’11 megarays’ (11 million rays) instead of pixels. Both models come with a lithium-ion battery that is good for up to 600 shots between charges, the camera’s maker says.

Like a point-and-shoot, turning on the Lytro is nearly instantaneous; the touch screen comes to life in about a second. That touch screen is one of the Lytro’s weaker points; it’s a little like that Woody Allen joke about the restaurant (‘The food at this place is really terrible. And such small portions!’). After years of viewing large, crisp displays on smartphones and even point-and-shoots, the Lytro’s 1.5-inch LCD screen seems too grainy and small to really get a sense of what you’re shooting.
The Lytro is a new kind of point-and-shoot camera that lets you refocus an image after you have taken it.The camera began shipping on Wednesday.

The touch screen’s interface is more successful. When shooting, swiping up reveals an onscreen panel with battery life and memory-capacity information. Swiping to the right takes you to previously shot images. You can also switch between ‘everyday mode,’ where the refocus range is determined automatically, and ‘creative mode,’ which gives the photographer control over the refocus range. You do have to pick something to be in focus – there’s no ‘all in focus’ feature, though Lytro says a software update will include it later this year.
After a picture has been taken, you can play around with focal points on the camera’s display, but the Lytro’s small LCD doesn’t make that a very pleasurable experience – it’s better to do it on a computer. (Right now, that computer has to be a Mac, because the Lytro is not yet compatible with Windows-run machines; the company says it will have Windows software later this year.)
Taking pictures with the Lytro reveals other benefits besides focusing after the fact. For starters, being able to refocus later means you don’t have to focus now. Since the camera is pulling in multiple focal points all at once, the Lytro doesn’t have the shutter lag point-and-shoots have. It’s not SLR fast, but you can fire away with little delay. My own test measured the Lytro at one shot about every 1.3 seconds.

You can upload photos to your computer via the included USB cable. Bear in mind that Lytro photos don’t leap onto your computer, but rather take more than one minute per shot to be uploaded and processed into clickable, refocusable images. If you’re uploading dozens of photos, go downstairs and make a sandwich, or maybe a cassoulet, while the camera does its thing.
Lytro users also get a free online account to create galleries, share links with friends and post photos to Facebook, Twitter and Lytro’s public page, which is like an in-house version of Flickr. If you’ve ever used any photo-sharing site before, you’ll find that Lytro’s version is simple and straightforward and you’ll understand how it works in about two minutes.
Lytro images are stored as light-field picture files. Anyone with whom you share an lfp file can view it or click around and refocus it, just as you did. It’s like a video you post from YouTube – the recipient doesn’t need any special software; it’s viewable in a Web browser (as you can see here).

Given that a Lytro picture is meant to be played around with, the format is not really intended for printed photos. You can generate a print, but it will be at a fairly low resolution, 1080 by 1080 pixels. That’s good enough for a 3 by 5 or maybe a 5 by 7 print, but anything larger will look grainy.
So the Lytro is an astonishing new technology, presented in a attractive design, with easy-to-use software. But that doesn’t mean you should buy it.
The Lytro has some drawbacks – and not inconsiderable ones. For starters, you can’t share photos while on the go. If you were to tear a Lytro apart, you’d see a dormant Wi-Fi chip inside, so clearly there’s going to be an evolution with some wireless capability. But for now, what happens on a Lytro stays on a Lytro, until you plug it into your computer.
And while refocusing is its own interesting tool, that’s the only tool you have at this point – adding a filter or importing the image into Photoshop remains impossible. Then there’s the price. Four or five hundred dollars is not chump change, even for nonchumps. It’s too expensive for basic photo purposes (that’s what your phone’s camera is for), and professional users will want more control over settings and lenses.

The potential of light-field photography is great – that whole ‘don’t have to focus’ thing is maybe even more impressive than focusing after the fact – but there’s a difference between a great technology and a great product. Should Lytro’s engineers refine light-field photography into something more versatile and cheaper (imagine this on a smartphone), it may turn out to be a game changer.
For now, I tip my hat to the innovators at Lytro, but I’m not opening my wallet.

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Original NDTV Gadgets

The New Hitman Game Hasn’t Changed Much, and That’s Good

The New Hitman Game Hasn't Changed Much, and That's Good

The latest recreation within the Hitman sequence is just known as Hitman, with no subtitle or quantity. Till now, not a lot was identified in regards to the recreation, which is due in December. Developer IO Interactive has determined that as a substitute of releasing the complete recreation in a single go by way of each bodily and digital distribution, Hitman might be out digitally first. Based on the builders, the world of Hitman might be ever-changing, with an everyday stream of content material pushed out to maintain gamers in a “reside and ever increasing world of digital assassinations.” The anomaly of the phrasing led many a gamer marvel if this could find yourself like some video games in early entry, with options stripped out till the ultimate replace. It is a transfer that may have compromised gameplay fully.

At Gamescom 2015, Sq. Enix walked us by way of a degree in Hitman allaying our fears and exhibiting us what lies forward for sequence protagonist Agent 47. The mission we performed noticed us assassinating Viktor Novikov, an spymaster-oligarch. The extent place in Novikov’s sprawling palace grounds, the place a style present is being held.

We weren’t allowed to file footage or take photos, however what we noticed can greatest be described as a extra polished, extra sturdy, open-world model to 2012’s Hitman: Absolution. Should you had been anticipating a monumental leap in visible constancy over its earlier entry, then you definitely’d be sorely mistaken. Nevertheless what it lacks in eye sweet it makes up in sheer scale. Travis Barbour, Neighborhood Supervisor on the recreation’s developer, IO Interactive, claimed that in comparison with the 30 to 40 non-playable characters (NPCs) you would work together with in Hitman: Absolution, there are 300 NPCs on this recreation. What’s extra, your actions within the recreation have an effect on these round you and so they react accordingly.


This might imply annoying a TV reporter by strolling proper into her shot or angering an irate dressmaker by messing along with his tools. What you are able to do in-game is basically dictated by what objects you resolve to hold with you in a mission. From cash to a sniper rifle, the alternatives are countless and go a great distance in unlocking info in your goal.

It is one thing Barbour claims underlines the truth that IO’s strategy to map design and participant interplay within the new recreation is to construct “Swiss Cheese ranges”, enable for every map and gigantic construction allow you to conquer it as you see match. He likens your choices to holes in Swiss Cheese – a lot and assorted. Relatively than present us a single route in the direction of assassinating Novikov, we had been handled to a number of, starting from decapacitation to explosions, making for a wealth of selection when finishing up a mission.


The extent we performed additionally included a wide range of choices to complete your mission. These embrace some apparent navigation choices, akin to going by way of the entrance door to the style present (offered you may have an invite) to skulking round backstage, smuggling weapons in underneath plates of meals whereas disguised as a caterer; the choices out there to infiltrate areas play proper into IO’s philosophy of making a “pure Hitman fantasy”. One other welcome transfer is how “intuition” is handled on this recreation. Debuting in Hitman: Absolution, the characteristic is similar to the detective mode in Batman, or the Eagle Imaginative and prescient within the Murderer’s Creed video games. Basically, it is a fast technique to reduce out all non-essential knowledge from the display, and in Absolution, it was completely crucial should you needed to finish missions. That is been toned down for 2015’s Hitman, and that is a giant plus in our eyes.

The gameplay did not seem like a secure, fluid 60 frames per second, the benchmark for a lot of a developer these days, nevertheless it chugged alongside advantageous with barely a pause to the motion. Sq. Enix’s Gamescom 2015 presentation appears to point that this Hitman recreation is coming collectively properly. It is heartening to know that the extent design and scale everyone knows and love is being improved upon on this newest entry to the sequence, with out making too many modifications only for the sake of it.

Now if we might have readability on the sport’s single-player, story mode – whether it is exists – all might be proper with the world.

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